It was horrific what that bomb had done to the boy. I collected myself, then headed back to the office to make my deadline. We were then six months into the Iraq war, but we were not seeing this in the news—the collateral damage. I wanted to humanize the war, to show what it had done to this innocent young boy and his family. Little did I know this would evolve into a year project. He agreed, but I still needed to gain their trust. I wanted to produce an intimate story about this Iraqi child, this family whose life was blown apart. On December 23, , Saleh was released from the hospital after several dozen surgeries to heal his shattered body—and Raheem received devastating news.
They thought he was an American spy: Why else would his son be getting medical treatment in America? He realized they would never be able to return to their homeland. I continued to photograph. Raheem and Saleh received political asylum. Then petitioned for his wife, Hadia, and the rest of the family to join them.
But I was compelled to continue. I had seen how this story affected people, and I had developed an affection for him. Over the next years, I would text Saleh every few months to check in and see what was happening in his life.
I photographed the family several times a year as they adjusted to their new life. They never spoke a bad word about America or what had happened; they only expressed gratitude. I tried to be there with the family on ordinary days and on momentous occasions, and Saleh and his family grew accustomed to me being there with my camera. When Elian's Miami family refused to hand him over to his father in Cuba, armed federal agents stormed the home of his uncle in and seized the boy.
Elian was reunited with his father in April , after the raid. Following more court proceedings, ending with the Supreme Court rejecting the Miami relatives' efforts to get him back, the family flew home to Cuba. His grandfather Juan Gonzalez hugs him upon his arrival at the Jose Marti Airport in Havana in June , seven months after he was found in the water.
Elian celebrates his seventh birthday with classmates in Cardenas, Cuba. The guest of honor was Fidel Castro unseen. Despite the promises he would return to his old life, Elian never stayed out of the public spotlight too long.
lynsey addario, photographer
Castro, second from right, talks with Elian in July in Cardenas, during a political gathering to inaugurate the Museo a la Batalla de Ideas , the Museum of the Battle of Ideas, which highlights Castro's clashes with the U. A diverse range of objects relating to Elian's custody battle in the U. To the right is Elian's father, who went from being a waiter to being a member of the country's National Assembly.
Elian, right, accompanied by a fellow military student, smiles in June in Havana as he attends an event marking the 80th anniversary of the birth of a Cuban national hero, Argentina's Ernesto "Che" Guevara. Gonzalez had joined Cuba's Young Communist Union.
In May , he was elected to the leadership of his local Committee for the Defense of the Revolution, the neighborhood watch groups that act as the front-line eyes and ears of the Cuban government.
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Diaz did as he was told, but continued to take pictures. As the agent backed out of the room with Gonzalez in tow, the agent again forcefully repeated, "Back off! Now age 21, Gonzalez said he remembers little about his time in Miami. He said he wants to visit the United States again someday to thank those who supported his return. Read an update about Gonzalez. In , Kevin Carter stunned the world with his image of a vulture waiting patiently for a little girl to starve to death during a famine in Sudan. While covering the famine, Carter wandered into a brushy area near a feeding station.
He heard whimpering and discovered the little girl on the ground, too weak to move. When a vulture landed nearby, Carter snapped a few photos and then chased the bird away. The resulting image "touched a global nerve," according to the book. Later, Carter's friends reported he was suffering from depression. The following year, after Carter learned the photo had won a Pulitzer, Carter's best friend was killed while covering violence in Johannesburg.
In July , Carter, age 33, killed himself by connecting a hose from his truck's exhaust pipe into the cab. A note Carter left behind said he was "haunted by unrelenting memories of killings, madmen with guns, starving children, corpses and pain," according to Buell's book.
Read more about Carter and his colleagues. Photographer Stanley Forman used his camera to essentially freeze an extremely dramatic moment in Boston. In , a firefighter was trying to rescue a woman and her 2-year-old niece from the balcony of a burning building.
Pulitzer Prize for feature photography - Business Insider
When the balcony collapsed, the woman and child both fell five stories to the ground. Forman was there with his camera. Forman turned away and then looked up to see the firefighter dangling from a ladder and pulling himself to safety. The woman died. Her niece miraculously survived because she fell on her aunt, which cushioned her landing. The photo is credited with spurring communities around the world to strengthen laws governing fire balcony safety.
Yasushi Nagao, a photographer for Japanese newspaper Mainichi Shimbun, showed up for an assignment at a packed auditorium in Tokyo. It wasn't supposed to be a big deal, just a political speech. Nagao had no idea what was about to happen. As Socialist Party Chairman Inejiro Asanuma began speaking, a fanatical right-wing student zealot named Otoya Yamaguchi, armed with a razor-sharp samurai sword, ran on stage with full force into Asanuma, plunging the weapon into the politician's stomach and heart. A podium blocked the full view of the attack for most photographers in the room, but Nagao had a clear shot.
Nagao's image clearly showed Asanuma's shock and Yamaguchi's intense facial expression during the stabbing. Asanuma died minutes later. Eventually, Yamaguchi committed suicide. In that photo made Nagao the first non-American to win a photography Pulitzer.
The photo of U. Marines raising an American flag atop Mount Suribachi on the Japanese island of Iwo Jima in really did change the world. The powerful image helped win World War II. It was used as a public relations tool to raise money for the cash-strapped U. Associated Press photographer Joe Rosenthal nearly missed his chance to capture the now iconic image. This was long before today's sophisticated cameras and digital technology.
Photographers took one picture at a time, often with only one opportunity to get the perfect shot. Rosenthal stood atop the summit as the Marines began lowering one American flag and raising another. He had to quickly decide whether to shoot both flags simultaneously — one rising while the other lowered — or to photograph the second flag by itself as it was being raised.
He chose to focus on the second flag, a choice that made all the difference. The resulting image may be the most famous, perfectly composed photo of all time. The Marines embraced it by transforming the photo into a memorial statue in Arlington, Virginia. Hollywood movies have been made about the flag raising. The U.
Postal Service featured it on a stamp. Read more about the real story behind the Iwo Jima photo. Associated Press photographer Nick Ut knows what it's like to create a photo that impacts an entire generation. In , Ut took the famous photo of a terrified, naked girl fleeing a South Vietnamese napalm bombing. Nine-year old Kim Phuc's clothes had been burned away and Ut photographed her as she ran down a road, emerging through clouds of smoke. When he realized she needed help, Ut put down his camera and helped her get to a hospital.
Doctors told Phuc's family she wasn't expected to live.
Half her body was ravaged by third degree burns.
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